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“Gorgon (Dis Pater Suite)” - pastel on canvas, acrylic on wood, felt, pigment on wall. Dimensions variable. 2023-24.
“gorgon - Dis Pater Suite (left apotropaion: Megaera)” Pastel on canvas, acrylic on wood, felt. Dimensions variable. 2024.
“gorgon - Dis Pater Suite (right apotropaion: Pseudo-Pertunda)” Pastel on canvas, acrylic on wood, pigment on wall. Approx. 26” x 52”. 2023.
"non-aligned (the part of no part)", acrylic, ink, sand, varnish on canvas. 12" x 21" x 2.25". 2024.
"non-aligned (Sukarno)" pastel, acrylic, sand on canvas. 22" x 30" x 2.25". 2024.
“non-aligned (Kwame Nkrumah)” pastel, acrylic, sand on canvas. 22” x 30” x 2.25”. 2023.
“on the political economy of aesthetics”, graphite and acrylic on canvas. 30” x 44.5” x 2”. 2023.
“post-human (Argos Videntem Omnium)” graphite, colored pencil, ink, acrylic on paper. dimensions variable. 2023.
“post-human (Argos Videntem Omnium)” detail. graphite, colored pencil, ink, acrylic on paper. approx. 44” x 56”. 2023.
left work: “post-human (Necessitas)” graphite, acrylic, colored pencil on paper. 88.5” x 50.25”. 2020.
right work: “Tis I, the garbage scow of culture” graphite and acrylic on canvas, graphite on wall. Dimensions variable: central canvas is 22” x 30” x 2”. 2021.
detail of “post-human (Necessitas)” graphite, acrylic, colored pencil on paper. 22” x 30”. 2020.
installation view of “The Situation is Excellent” solo exhibition at Eli Ridgway Gallery, Bozeman, MT. 2021. Materials include: graphite and acrylic on canvas, paper, and wall; prefabricated waiting bench, hand-built coffee table with acrylic insert, customized wall clock; custom printed “newspaper” for viewers to take.
detail installation view of “The Situation is Excellent” solo exhibition at Eli Ridgway Gallery, Bozeman, MT. 2021. Materials include: graphite and acrylic on canvas, paper, and wall; customized wall clock.
“forced wager” graphite and acrylic on canvas. 22” x 30” x 2”. 2021.
“post-human (Angelus Novus)” graphite on paper. 22” x 30”. 2020.
“post-human (Nox)” graphite, acrylic, glitter on paper. 66.5” x 50.5”. 2020.
detail of “post-human (Nox)” graphite, acrylic, glitter on paper. 22” x 30”. 2020.
“post-human (Pseudo-Moneta)” gouache, acrylic on paper; acrylic, graphite, metal foil on canvas, graphite on wall. 100.5” x 49” x 2”. 2021.
detail of “post-human (Pseudo-Moneta)” gouache, acrylic on paper. 22” x 30”. 2021.
“post-human (Arges)” gouache, acrylic, ink on paper. 82” x 50.5”. 2021.
“post-human (Border Suite)”, graphite, acrylic, colored pencil on paper; graphite on wall. Dimensions variable - approximately 70” x 78”. 2018.
“post-human (Doomsday Suite)”, graphite, ink on paper; graphite on wall. Dimensions variable - approximately 80” x 96”. 2018.
Installation view of “phantasy (…) inevitability” solo exhibition at Nathalia Tsala Gallery, Ronse/Brussels 2018-19. Work includes “post-human (Bahrain Suite)” and “post-human (Beach Suite)”. Materials include: graphite on paper and canvas; wood, acrylic; graphite on wall. Works range from 2012 – 2018.
“post-human (uncanny – undead Suite)” graphite on paper, canvas, and wall. Dimensions variable – approximately 88” x 180”. 2018.
detail of “post-human (Ash)” fragment from “post-human (uncanny – undead Suite)” graphite on paper. 22” x 30”. 2018.
detail of “post-human (Sarah Connor)” fragment from “post-human (uncanny – undead Suite)” graphite on paper. 22” x 30”. 2018.
“post-human (unidentified, Cuernavaca, 2011)” graphite on paper, wall, and floor. Dimensions variable – approximately 160” x 70” x 32”. 2015.
“portrait (Angola Three Suite)” graphite on canvas and wall. Dimensions variable – approximately 78” x 156”. 2012-2016.
installation view from “ghosts” solo exhibition at Kunstverein MM-III, Mönchengladbach, Germany, 2014. Materials include: graphite on canvas, paper, and wall; digital video. Works produced between 2011 – 2014.